Abstracts of Amsterdam 2010
Conference Papers
Thursday, May 27, 2010
PARAGONE, SYMBIOSIS: RELATIONS BETWEEN PAINTING AND SCULPTURE IN NETHERLANDISH ART
Chair: Lynn F. Jacobs (University of Arkansas)
- Early Netherlandish Painting and Sculpture: A Paragone?
Kim W. Woods, Open University
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Designs for Sculpture: A New Look at Drawings from Rogier van der Weyden’s Workshop
Bart Fransen, KIK/IRPA, Brussels
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Something Old, Something New: Classical Sculpture as an Impetus for New Artistic Ideas in Sixteenth-Century Flemish Art
Natasja Peeters, Vrije Universiteit, Brussels and Koninklijk Museum van het Leger en de Krijgsgeschiedenis, Brussels
- Painter-Sculptor Collaboration vs. Competition in Seventeenth-Century Antwerp
Léon E. Lock, Independent Scholar, Brussels
CULTURAL TRANSMISSION AND ARTISTIC EXCHANGES IN THE LOW COUNTRIES DURING THE LONG SEVENTEENTH CENTURY
Chairs: Karolien De Clippel (Universiteit Utrecht) and Filip Vermeylen (Erasmus Universiteit Rotterdam)
- Local Landscapes at a Crossroads: Claes Visscher’s 1612 Copies of the Small Landscape Prints
Alexandra Onuf, University of Hartford
- Frans Hals van Antwerpen: A Case Study in Dutch-Flemish Artistic and Cultural Exchange
Christopher Atkins, Queens College and The Graduate Center, New York
- Going South: Selling Flemish Art to Dutchmen and Dutchmen Selling Flemish Art to Flemings
Kerry Noelle Barrett, New York University, Abu Dhabi
- Exchanging Works of Art between Courtly Neighbours: Brussels and The Hague (1600-1695)
Veerle De Laet , Erasmus Universiteit Rotterdam
GLOBAL BAROQUE: THE NETHERLANDISH IMAGE IN ASIA, AFRICA AND THE AMERICAS
Chair: Mia M. Mochizuki (Jesuit School of Theology at Berkeley and Graduate Theological Union, Berkeley)
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At Home in Bijapur: Cornelis Claesz. Heda and Dutch Art in India
Rebecca Tucker, Colorado College
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The Poetry of Netherlandish Prints in Early Modern China
Dawn Odell, Lewis and Clark College
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"How Tasty Was My Flemish Man": Karel van Mander’s Concepts of ‘Nae het leven’ and ‘Uyt den gheest’ and the Depiction of
‘Cannibals’ and Native Indians in Dutch Brazil
Ricardo De Mambro Santos, Willamette University
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Fortifying the Global Baroque: Dutch Forts as Lieux de Mémoire
Julie Hochstrasser, University of Iowa
SESSION IN HONOUR OF CAROL PURTLE
Chair: Diane Wolfthal (Rice University, Houston)
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Looking with Jan van Eyck and Robert Campin: The Painter’s Perspective
Joaneath Spicer, Walters Art Museum, Baltimore
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Jan van Eyck’s lost Virgin and Child with Canon Nicolas van Maelbeke Reconsidered
Till-Holger Borchert, Groeningemuseum, Bruges
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The Arenberg Lamentation Reconsidered
Yao-Fen You, Detroit Institute of Art
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Unveiling the Veil. A Study into the Making and Meaning of Painted Semitransparent Textiles: Italy and the Low Countries, 1400-1500
Marjolijn Bol, Universiteit Utrecht
ANTWERP AND ITS BOUNDARIES 1550-1570
Chairs: Ethan Matt Kavaler (University of Toronto) and Todd Richardson (University of Memphis)
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Frans Floris’s Italian Travels and the Transformation of Art in Antwerp
Edward Wouk, Harvard University
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Italianate Netherlandish Art or Netherlandish Italianate Art: Some Notes on the Paradox of Talent
Koenraad Jonckheere, Universiteit van Amsterdam
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Producing the Vernacular: Antwerp, Cultural Archaeology and the Figure of the Peasant
Stephanie Porras, Courtauld Institute of Art
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Drinking with the Prodigal – Jan van Hemessen’s Brothel Scenes and Italian Art Theory
Bertram Kaschek, Technische Universität Dresden
MUNICH AT THE CROSSROADS: FOREIGN ARTISTS IN COUNTER-REFORMATION BAVARIA
Chair: Susan Maxwell (University of Wisconsin at Oshkosh)
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The Impact of Dürer on the Art Scene in Munich around 1600
Anja Grebe, Otto-Friedrich Universität Bamberg
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Hendrick Goltzius’s Visit to Munich
Dorothy Limouze, St. Lawrence University
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To ‘Inflame a Love of Virtue’: Christoph Schwarz’s Mary Altarpiece for the Jesuit College in Munich
Jeffrey Chipps Smith, University of Texas at Austin
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Italian Artists at the Munich Court
Dorothea Diemer, Universität Augsburg
SOCIAL NETWORK ANALYSIS OF ART MARKETS AND ART WORLDS IN THE LOW COUNTRIES
Chairs: Marten Jan Bok (Universiteit van Amsterdam) and Harm Nijboer (Universiteit van Amsterdam)
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Social Ties, Professional Benefits: Abraham Bloemaert (1566-1651) and Artistic Collaboration in Utrecht
Elizabeth Nogrady, New York University
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History Painting with Biblical Subjects and Their Owners
Frauke Laarmann, Universiteit van Amsterdam
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Mapping Demand: Art Consumption of Nobles and Would-Be Nobles in Fifteenth-Century Flanders
Jessica Buskirk, Technische Universität Dresden, and Frederik Buylaert, Universiteit Gent
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Rembrandt’s Gifts: A Case Study of Actor Network Theory
Michael Zell, Boston University
Friday, May 28, 2010
COLLECTING AND DISPLAYING DUTCH AND FLEMISH ART IN GERMAN PRINCELY RESIDENCES
Chair: Gero Seelig (Staatliches Museum Schwerin, Schwerin)
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Collecting and Displaying Dutch and Flemish Art in the Imperial Collections of Leopold I: Kunstkammer, Treasury, and Picture Gallery
Gerlinde Gruber, Kunsthistorisches Museum, Vienna
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Dutch Brazil in the Princely Kunst- und Wunderkammer: Civilization and Culture on a Carved Coconut Cup
Virginie Spenlé, Kunstkammer Georg Laue, Munich
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From Church to Collection: Flemish Altarpieces in the Gallery of Johann Wilhelm von der Pfalz
Esther Meier, Technische Universität, Dortmund
THRESHOLDS – PORTALS – PORCHES – GATES. FACING SPATIAL BOUNDARIES IN EARLY MODERN AMSTERDAM
Chair: Freek Schmidt (Vrije Universiteit Amsterdam)
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Suspensions in Space: Sight, the Body and Liminality in Painted Church Interiors of Amsterdam
Candace Huey, Academy of Art University, San Francisco
- The Disappearance of the Choir in Protestant Church Architecture and the Cases of the Amsterdam Zuiderkerk and Westerkerk
Joris Snaet, Antwerp
- Off Limits: Pieter de Hooch in (and outside) Delft and Amsterdam
Frans Grijzenhout, Universiteit van Amsterdam
- Building Up and Tearing Down: Images of Demolished Buildings and Their Role in Defining Urban Identity
Michelle V. Packer, University of California, Santa Barbara
BENDING AND BREACHING THE BOUNDARIES OF GENDER
Chair: Martha Moffitt Peacock (Brigham Young University)
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A Priestly Vocation for the Mother of God: Blurring Gender Boundaries in Northern Renaissance Visual Culture
Elliott Wise, Emory University
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The Nun that Rocked the Cradle: Devotional Cradles as Markers of Female Prestige in the Late Middle Ages
Rebecca Findlay Lloyd, Beinecke Rare Book and Manuscript Library, Yale University
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Gerard Hoet’s Portrait of Anna Elisabeth van Reede and the Construction of Identity
Ellen O’Neil Rife, University of Kansas
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Bending and Breaching the Boundaries of Flower Painting: An Investigation into the Careers of Hans Simon Holtzbecker and Maria Sibylla Merian, Two
Unusual Flower Painters
Hanne Kolind Poulsen, Statens Museum for Kunst, Copenhagen
MANIPULATING THE OBJECT: SIMULTANEOUS READINGS AND EXPERIENCES
Chairs: Anne Margreet As-Vijvers (Universiteit van Amsterdam) and Margaret Goehring (New Mexico State University)
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Images that Come to Life: Miracles of the Virgin and the Vierges ouvrantes
Anna Russakoff, American University of Paris
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Experiencing Gold in Early Netherlandish Paintings
Jeanne Nuechterlein, University of York
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Relational Experience, Tapestry, and Animation
James J. Bloom, Vanderbilt University
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Beyond the Borders: Seeing/Reading the Gheeraerts Map of Bruges
Erin Webster, University of Toronto at Scarborough
TRANSGRESSING MATERIALS
Chairs: Ann-Sophie Lehmann (Universiteit Utrecht), Maximiliaan P. J. Martens (Universiteit Gent) and Jeroen Stumpel (Universiteit
Utrecht)
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The Print and the Plate: From Silver to Copper and Back
Joris Van Grieken, Koninklijke Bibliotheek van België, Prentenkabinet
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Quinten Metsys and the Dynamics of Vision
Annick Born, Universiteit Gent
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Bruegel's Transgressions: Watercolor and Oil in Sixteenth-Century Antwerp
Odilia Bonebakker, Harvard University
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On reflexykonst and the Aesthetics of Transformation in Still Life
Celeste Brusati, University of Michigan
LANGUAGES OF ART IN THE NETHERLANDS, 1550-1750
Chair: Thijs Weststeijn (Universiteit van Amsterdam)
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Touching Up on Our Understanding of geretuckeert by and around Rembrandt
Paul Crenshaw, Providence College
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The Concept of reddering in Seventeenth-Century Painting: Theory and Practice
Ulrike Kern, Warburg Institute, London
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"Proteus oft Vertumnus te wesen in de Const": Erasmus, Goltzius and Van Mander on the Problem of Artistic Imitation
Jürgen Müller, Technische Universität Dresden
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"In sensus cadentem imaginem": Defining the Apprehensible Image in Cornelis Galle's Life of Blessed Father Ignatius of Loyola of 1610
Walter S. Melion, Emory University
POROUS BORDERS: THE DUTCH REPUBLIC AND EUROPE
Chair: Amy Golahny (Lycoming College)
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A Courtly Art Comes to The Hague: Portrait Miniatures at the Court of Elizabeth of Bohemia
Marjorie E. Wieseman, The National Gallery, London
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Giovanni Panini in the Tradition of the Dutch Italianates
Anne Charlotte Steland, Independent Scholar, Göttingen
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Grand Tour avant la Lettre? Hoogstraten in England
Fatma Yalçin, Freie Universität Berlin
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"Not curious but courtly in appearance": Cornelis de Bruyn (1652-1726), Dutch Artist and International Traveler
Rebecca Parker Brienen, University of Miami, Coral Gables
THE SHIFTING BOUNDARIES OF MUSEUM COLLECTING AND DISPLAY IN THE NETHERLANDS (1800 TO THE PRESENT)
Chairs: Ellinoor S. Bergvelt (Universiteit van Amsterdam) and Jonathan Bikker (Rijksmuseum, Amsterdam)
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Dutch and Flemish Art in the Nineteenth-Century National Museums of The Netherlands (Amsterdam) and Belgium (Antwerp and Brussels)
Leen Kelchtermans, KU Leuven
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The Plans of the Dutch Royal Society of Antiquaries for an "Amsterdam Museum", 1877-1880
Renée Kistemaker, Amsterdams Historisch Museum
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Foreign Masters in Dutch Museums: by Choice or Chance?
Friso Lammertse, Museum Boijmans Van Beuningen, Rotterdam
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Theophile Thoré (William Bürger) and the Borders of the Netherlands
Ellinoor S. Bergvelt, Universiteit van Amsterdam
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