Abstracts of Antwerp Conference Papers

THE MAKING OF ILLUMINATED MANUSCRIPTS IN FLANDERS BETWEEN 1420 AND 1530
Chairs: Gregory Clark (University of the South, Sewanee), Margret Goehring (SUNY Geneseo), Anne Margreet As-Vijvers (Independent Scholar)

Jason's Story: Artistic Transmission and Public Performance in Burgundian Manuscript Illumination
Lisa Deam, Valparaiso University

Gerard David/Not Gerard David? On the Use of Patterns in Two Exceptional Miniatures
Diane Scillia, Kent State University

Creation by Variation: The Uses of Models in Ghent- Bruges Marginal Decoration
Anne Margreet W. As-Vijvers, Independent Scholar

The Flemish Book and its Reasons
Anne H. van Buren, emerita, Tufts University

ANTWERP ARTISTS AND GERMAN PATRONS
Chair: Jeffrey Chipps Smith, University of Texas, Austin

The Marketing of Antwerp Sculpted Altarpieces in Germany
Lynn F. Jacobs, University of Arkansas

Crossing Confessional Lines in Georg Mack the Elder's Painted Version of Hieronymus Wiericx's Trinity
Walter S. Melion, The Johns Hopkins University

Engraving the Mirrors of Princes:  Jan Sadeler in Munich
Dorothy Limouze, St. Lawrence University 

Rhetorica caelestis: Jacob Bidermann, Jeremias Drexel and the Sadelers at the Court of Maximilian I in Munich
Christine Gottler, University of Washington

The German Mission: Joos de Momperis Landscapes of Devotion
Catherine Levesque, College of William and Mary

ORIGINALS AND DERIVATIVES IN FLEMISH AND DUTCH ART OF THE SEVENTEENTH CENTURY
Chair: Hans Vlieghe, KU Leuven and Centrum voor de Vlaamse Kunst van de 16de en de 17de Eeuw (Rubenianum), Antwerp

Completion and Replication: Deference to Rubens's Original in the Versions of Deborah Kip, Wife of Sir Balthasar Gerbier, and her Children
Melanie Gifford and Arthur Wheelock Jr., National Gallery of Art, Washington

The Girl in the Window: Rembrandt's Kitchenmaid and its Followers in Seventeenth-Century European Art
Gorel Cavalli-Bjorkman, Nationalmuseum, Stockholm

The 'Cabinet des Peres du Desert' in the Chateau Gaillard in Vannes (Morbihan)
Thomas Fusenig, Weserrenaissance-Museum, Lemgo

The Dissemination of Bruegel Imagery in the Southern Netherlands during the Seventeenth Century
Karolien De Clippel (KU Leuven) and Filip Vermeylen (University of Antwerp)

David Teniers II's Theatre of Imitation
Joanna Woodall, Courtauld Institute

THE RELATIONS BETWEEN THE ARTS IN THE LOW COUNTRIES IN THE EIGHTEENTH CENTURY
Chairs: Dirk Van de Vijver (KU Leuven) and Daniel Rabreau (Universite de ParisI Pantheon-Sorbonne)

The Painter, the Sculptor, the Architect and the Engraver in the New Artistic Institutions at the End of the Eighteenth Century
Christophe Loir, Universite Libre de Bruxelles

Professional or Amateur. Jacob Otten Husly between Architecture and Painting
Freek Schmidt, KNAW

The Splitting Power of Sculpture. A Dutch Classification of the Visual Arts and Poetry in Late Eighteenth-Century Art Theory
Peter C. Sonderen, Department of Art and Culture, University of Amsterdam

PAINTERS' WORKSHOPS IN THE SIXTEENTH-CENTURY NETHERLANDS
Chair: Molly Faries, Indiana University and Rijksuniversiteit Groningen

Demystifying the Process: Practice in Early Sixteenth-Century Antwerp Painter's Workshops. The Underdrawing of the Reinhold-Altarpiece by Joos van Cleve and his Assistants
Micha Leeflang (Rijksuniversiteit Groningen) and Peter van den Brink (Bonnefantenmuseum)

Evolution in the Workshop Practices of Bernard van Orley            
Maryan Ainsworth, Metropolitan Museum of Art

Creativity and Efficiency: The Use of Cartoons and Patterns in Paintings by Pieter Aertsen and Joachim Beuckelaer
Margreet Wolters, RKD

Artists by Numbers. Quantifying Artist's Trades in Sixteenth-Century Antwerp
M.P.J. Martens and N. Peeters, Rijksuniversiteit Groningen

Early Experiments in Renaissance Architecture in the Low Countries. Introduction
Krista De Jonge (Katholieke Universiteit Leuven) and Jean Guillaume (Centre d'Etudes Superieures de la Renaissance, Tours)

INTRODUCTION
Krista De Jonge (Katholieke Universiteit Leuven)

Renaissance Gothic at Brou as a Court Style
Matt Kavaler, University of Toronto

Cesariano, Sagredo and the Language of Architectural Ornament in the Low Countries from 1530 Onwards
Yves Pauwels, Universite de Lille 3 ? Charles de Gaulle

Stained Glass in the Southern Netherlands, 1510-1550: The Quest for the Renaissance. Hesitations and Affirmations
Isabelle Lecocq. Institut Royal du Patrimoine Artistique, Brussels

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