HNA IN ANTWERP 2002

Workshop Registration
(Please print this form and mail it to the address below.)


Workshops are sessions more oriented towards discussion than to strictly formal presentation of papers. While the format will vary from one workshop to another, in all cases it is hoped that participants will take an active role in the proceedings. Therefore we are requesting that if you are interested in participating in a workshop, you pre-register now. Lists of registrants will be sent to the workshop coordinators, who may contact you with preparatory material in advance of the conference. Some coordinators ask for submission of ideas, which should be sent to the coordinator directly (see below).

Because of their format, the size of the workshop will be limited. We ask that you mark three choices (in order of preference) for each day on this registration form. Enrolment will be on a first-come, first-serve basis. If only one workshop interests you, you may mark only one, but be aware that if it is full, you simply will not be placed in any workshop.

Please return this sheet to Kristin Belkin or Fiona Healy (see below). Keep the workshop descriptions for your records.


Thursday, March 14, 2002: 16:00-18:00 

Mark three choices in order of preference

The Concept of "Placement" of Art and Artists. Coordinators: Barbara Welzel, Nils Buttner and Ulrich Heinen
Art and Corporate Identity: Guild Patronage in the Early Modern Netherlands.
Coordinator: Charlotte Houghton
Rubens's Allegorical Inventions.
Coordinators: Aneta Georgievska Shine and Antien Knaap
Antwerp and Amsterdam: Artistic Identity and Exchange, ca. 1580-1675.
Coordinator: Stephanie S. Dickey
Observation and Experience: Art, Science, and the Production of Natural Knowledge, 1580-1720.
Coordinators: Doug Hildebrecht and Christopher Heuer
The Colonial or Global Imaginary in the Dutch Republic.
Coordinator: Mariet Westermann
The Patronage of Flemish Late Baroque Sculpture, c.1640-1710: A Tour of Antwerp Churches.
Coordinator: Leon Lock (Meeting point will be announced in the final program)

Friday, March 15, 2002: 9:30-11:30 

Mark three choices in order of preference

Dulle Griet in the Museum Mayer van den Bergh.
Coordinators: Jane Carroll and Alison Stewart (in the Museum Mayer van den Bergh)
Weighing Relationships: Form, Content and Function in Paintings by Jan van Eyck.
Coordinators: Carol Purtle and Bernhard Ridderbos
Recent Developments in the Study of Flemish and Dutch Tapestries.
Coordinator: Guy Delmarcel
Early Collections and Collecting Activities North of the Alps.
Coordinator: Dagmar Eichberger
Problems and Practice in the Printing and Illustration of Books in 16th- and 17th-Century Antwerp:
Coordinators: Karen Bowen and Dirk Imhof (in the Museum Plantin-Moretus)
Constructing Political Ideologies and National Identities in Netherlandish Art.
Coordinators: Barbara Haeger, Nicola Margot Courtright and Susan Koslow
Architecture, Architectural Theory and Architectural Engravings in the Low Countries 1565-1631: Hans Vredeman de Vries, Hendrick de Keyser and the Classicist Tradition.
Coordinator: Koen A. Ottenheym

Saturday, Mach 16, 2002: 9:30-11:30

Independence and Adherence among the Pupils and Followers of Rembrandt.
Coordinator: David De Witt 
Diptychs, Pairing and Duality in Netherlandish Art.
Coordinators: Laura D. Gelfand, Andrea Pearson, Ann Roberts and Ron Spronk (workshop closed as of 11 Janaury 2002)
Scherpenheuvel: Space, Image and Ritual.
Coordinator: Margit Thofner
Gardens of Hans Vredeman de Vries: The Flemish Garden Tradition around 1600.
Coordinators Peter Fuhring and Ursula Harting (at the Rubenshuis)


Send this form before January 20, 2002, together with your conference registration and payment (check or credit card) to:


Kristin Belkin
HNA Conference Administrator (US)
23 South Adelaide Avenue
Highland Park, NJ 08904

or 

Fiona Healy
HNA Conference Administrator (Europe)
Am alten Sportplatz 34
D-55127 Mainz
Germany

Email Us: info@hnanews.org