|
From Icon to Art in the
Netherlands
Baltimore/Washington, November
8-12, 2006
Program
Thursday, November 9, 2006
8:45—9:30: Conference Registration (The Walters Atrium, Centre Street Entrance, Membership Desk)
8:45—9:30: Coffee (The Walters Art Museum, Graham Auditorium, Lower Lobby)
9:30—12:00: Plenary Session: Icon to Art
The Walters Art Museum, Graham Auditorium
- Hugo van der Velden (Harvard University)
“The Ghent Altarpiece and the Rise of Netherlandish Painting”
- Reindert Falkenburg (Universiteit Leiden)
“‘Punctuated Equilibrium’: On the Emergence of New Genres in Early Sixteenth-Century Netherlandish Painting”
- Arnout Balis (Vrije Universiteit Brussel and Rubenianum)
“Taking Stock of the Complexities in the History of Flemish Art of the 17th Century”
- Mariët Westermann (Institute of Fine Arts, New York University)
“The Modern System of Painting”
12:00—1:30: Lunch Break
1:30—3:30
Parallel Sessions
1. The Walters Art Museum, Graham Auditorium
Rogier van der Weyden: Sculpture and Painting in Early Netherlandish Art
Chairs: Mark Tucker (Philadelphia Museum of Art), Lloyd DeWitt (Philadelphia Museum of Art)
- Mark Tucker (Philadelphia Museum of Art)
“New Findings on the Original Function of Rogier van der Weyden's Philadelphia Crucifixion”
- Douglas Brine (Courtauld Institute)
"Sculpture and Painting / Sculptors and Painters: Wall-Mounted Memorials in the Burgundian Netherlands"
- Carol J. Purtle (University of Memphis)
"Iconic Transitions and the Interdependence of Painting and Sculpture in the Early Netherlandish Canon"
- Bart Fransen (KIK/IRPA and Katholieke Universiteit Leuven)
"Brussels Stone Sculpture in the Period of Rogier van der Weyden"
- Lynne F. Jacobs (University of Arkansas)
"Grisaille and the Thresholds of Early Netherlandish Triptychs"
2. Tremont Grand – Mirror Room
Printmaking in Northern Europe 1450—1700: Medium, Market, and Message
Chair: Stephanie S. Dickey (Queen's University, Kingston, Ontario)
- Karen Bowen (Independent Scholar)
"Philips Galle, His Descendants, and Print Workshops in Antwerp"
- Suzanne Karr Schmidt (Yale University)
"Lottery Dials: The Interactive Print as Intervention"
- Tico Seifert (Freie Universität Berlin)
“Hendrick Goudt, 'constrijcken Plaestsnijder tot Utrecht' "
- Vanessa Schmid (Institute of Fine Arts, New York University)
“Marketing Naval Heroes: Portrait Prints during the Anglo-Dutch Wars"
- Nadine Orenstein (Metropolitan Museum of Art)
"Goltzius: The Thought Process of a Printmaker"
4:00—6:00
Workshops
The Walters Art Museum
Manuscript and Rare Book Room
Lynn Ransom (University of Pennsylvania)
“Simon Bening's Stein Quadriptych, Manuscript or Altarpiece?” (Meet Quint Gregory at elevator entrance opposite upper Auditorium doors.)
Graham Auditorium
Dagmar Eichberger (Kunsthistorisches Institut der Universität Heidelberg), Ariane Mensger (Staatliche Kunsthalle Karlsruhe)
"The Rise of Old Testament Themes in Sixteenth-Century Netherlandish Art”
Chamber of Wonders
Pamela Smith (Columbia University)
“From Objects to Ideas: Material Culture in Art and Science”
Family Art Center, Studio B
Emilie Gordenker (National Gallery of Scotland)
“Up for Negotiation? The Role of Artist and Sitter in Portraiture”
Tremont Grand
Doric Room (5th floor)
Ann Jensen Adams (University of California, Santa Barbara)
“The Pleasures and Treasures of the Archives: A Session in Honor of John Michael Montias”
Mirror Room (4th floor)
Jeroen Vandommele (Universiteit Groningen)
“Debating Art: Dialogue between Artists, Rhetoricians and Printers in Antwerp (1555-1565)”
Chapter Room (5th floor)
Vida J. Hull (East Tennessee State University)
“Master and Pupil: Transmission and Transformations”
<<BACK
|
