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From Icon to Art in the
Netherlands
Baltimore/Washington, November
8-12, 2006
NAME
______________________________
EMAIL
______________________________
Workshop
Registration
Workshops are sessions more
oriented towards discussion than
to strictly formal presentation
of papers. While the format will
vary from one workshop to
another, in all cases it is hoped
that participants will take an
active role in the proceedings.
Therefore we are requesting that
if you are interested in
participating in a workshop, you
pre-register now. Lists of
registrants will be sent to the
workshop coordinators, who may
contact you with preparatory
material in advance of the
conference. Some coordinators ask
for submission of ideas, which
should be sent to the coordinator
directly (see below and
Workshop Descriptions
)
Because of their format, the
size of the workshop will be
limited. We ask that you mark
three choices (in order of
preference) for each day on this
registration form. Enrolment will
be on a first-come, first-serve
basis. If only one workshop
interests you, you may mark only
one, but be aware that if it is
full, you simply will not be
placed in any workshop.
Please return this sheet
together with your registration
to Quint Gregory (see below).
Thursday, November 9,
4:00-6:00
_____ The Rise of Old
Testament Themes in
Sixteenth-Century Netherlandish
Art (Dagmar Eichberger,
Ariane Mensger)
_____ Simon Bening's Stein
Quadriptych, Manuscript or
Altarpiece? (Lynn Ransom)
_____ From Objects to
Ideas: Material Culture in Art
and Science (Pamela
Smith)
_____ Debating Art:
Dialogue between Artists,
Rhetoricians and Printers in
Antwerp (1555-1565) (J.J.M.
Vandommele)
_____ The Pleasures and
Treasures of the Archives: A
Session in Honor of John Michael
Montias (Ann Jensen
Adams)
_____ Up for Negotiation?
The Role of Artist and Sitter in
Portraiture (Emilie
Gordenker)
_____ Master and Pupil:
Transmission and
Transformations (Vida
Hull)
Friday, November 10,
9:30-11:30
_____ Rembrandt and
Technical Studies (Melanie
Gifford)
_____ Painting and the
Aesthetic Conditions of the Early
Modern Collection (Elizabeth
Honig)
_____ Mythological Imagery
in the Netherlands 1500-1600
(Ethan Matt Kavaler)
_____ "Scripture for the
Eyes": Bible Prints as History
and Exegesis (Walter
Melion)
_____ Down to Earth: The
Representation of Labor in Late
Medieval and Early Modern
Netherlandish Art (Alison
Kettering, Annette de Vries)
_____ Idols and Art from
Beyond Europe (Dawn
Odell)
_____ Iconoclasm's
Netherlandish Image
(Christopher Heuer)
Send this form before
September 1, 2006, together with
your conference registration and
payment (check or credit card)
to:
Quint Gregory
Department of Art History and
Archaeology
1211B Art/Sociology
Building
University of
Maryland
College Park MD 20742
NAME
________________________________
EMAIL
________________________________
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