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Historians of Netherlandish Art Conference: From
Icon to Art in the Netherlands Baltimore/Washington, November 8-12, 2006 |
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Casting a wider net than his eminent predecessors,
over the last twenty-five years, Michael Montias
transformed for our field the way archival data has
been interpreted. His model encouraged following
generations of scholars, in several disciplines, to
locate works of art in the larger context of both
production and collection. In the process, we have a
greater intimate knowledge not only of Vermeer, the
shifting market for art training and consumption in
Delft, but also collecting communities in Amsterdam,
and models for analyzing fluctuations in this data in
broad perspective. This workshop addresses the
variety of materials available in specific archives,
discuss past interpretive models, and then brainstorm
about alternative models that might be used in the
future, in order to enlarge our understanding of
along the full range of this spectrum, from details
of the personal life of an artist, patron, or guild
to analysis of larger aggregations of data - not only
in Montias' chosen areas, but also earlier and
later periods and in other regions also studied by
HNA membership.
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Paleography Handbook:
W. Bogtman, Het Nederlandsche handschrift in 1600 (Haarlem, 1933) |
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Introduction: Montias' quantitative approach
in historical context (Ann Jensen
Adams)
The Student in the Archive (Eric Jan Sluijter) Artist's biographies as documents (Celeste Brusati)
Published archival sources (Lynn Jacobs) Montias' documents at the Frick Collection (Louisa Wood Ruby) Archival resources on the Internet (Marten Jan Bok) |
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Courtesy Amy Golahny, Mia M. Mochizuki and Lisa
Vergara, eds., In His
Milieu. Essays on Netherlandish Art in Memory of John
Michael Montias (Amsterdam: Amsterdam
University Press, 2006), pp. 23-28; bibliography with
the help of Marten Jan Bok. [PDF document]
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Montias' contribution, Gary Schwartz,
Schwartzlist
Obituaries. John Michael Montias
(1928-2005). |