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Dissertations
United States and Canada
In Progress 2011
Allan, Eva, The Triumph Theme and Its Variations in Long Renaissance Prints. Yale, C. Wood, A. Dunlop
Anderson, Carrie, Johan Maurits’s Brazilian Collection: The Role of Ethnographic Gifts in Colonial Discourse, Boston. M. Zell
Baadj, Nadia, ‘Monstrous Creatures and Diverse Strange Things’: The Curious Art of Jan van Kessel I (1626–1679). Michigan, C. Brusati
Baker, Katherine, Painting and the Luxury Arts in Paris, 1490–1515: Objects and Their Urban Contexts. Virginia, L. Goedde
Beranek, Saskia, Portrait of a Patron: Image and Identity of Amalia van Solms in Dutch Art and Architecture. Pittsburgh, A. Sutherland Harris
Bissett, Tara, Architecture in Print: The Imagery of Triumph in France (1490–1550. Toronto, M. Kavaler
Boychuk, Joan, Print Culture at the Court of Emperor Rudolf II: Portraiture, Inscription and Translation. University of British Columbia, B. Wilson
Bracken, William, Rembrandt in the 1630s: Dialogues and Competitive Environment. IFA/NYU, E. J. Sluijter, M. Westermann
Brisman, Shira, Briefkultur: Art and the Epistolary Mode of Address in the Age of Albrecht Dürer. Yale, C. Wood
Brown, Sara, Images of Devotion: The Calvinist Church Interior Paintings of Emanuel de Witte. Delaware, P. Chapman
Buis, Alena, “Like So Many Objects of Colonialism, It Had Traveled Far From Home”: Women and Domestic Interiors in the Dutch Trade Empire. Queen’s, Kingston, J. Helland, S. Dickey
Byron, David, The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621. Yale, C. Wood
Carlson, Alisa, Social History, Subjectivity, and Self-Fashioning in Hans Holbein the Elder’s Portrait Drawings. UT Austin, J. Chipps Smith
Churchill, Derek, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)
Cowen, Dana, Albrecht Dürer’s Journey to the Netherlands, 1520–1521: A Reconsideration of Past Scholarship and the Importance of Antwerp to the Artist’s Late Work. Case Western Reserve, C. Scallen
Daiman, Marina, Copying, Inventing, and Recycling in Rubens. IFA/NYU, M. Westermann
Downey, Erin, The Bentvueghels: Networking and Agency in the Seicento Art Market. Temple, T. Cooper
Dujakovic, Maya, On Books and Death: The Danse Macabre Printed Books in the Fifteenth Century. University of British Columbia, C. Knicely
Evans, Allison, Het Tapissierspand: Interpreting the Success of the Antwerp Tapestry Market in the 1500s. Duke, H. Van Miegroet
Fowler, Caroline, The Body and the Copy: Confession, Practice, and Ways of
Drawing in the Seventeenth Century. Princeton, C. Heuer
Friend, David, Intimate Transcendence: Place and Perspective in Religious Architecture. Graduate Theological Union, M. Mochizuki
Giannino, Denise, Familial Identity and Site Specificity: A Study of the Hybrid Genre of Dutch Family Landscape Portraiture. Kansas, L. Stone-Ferrier
Giviskos, Christine, Abraham Bosse and the Fine Art of Printmaking. IFA/NYU, M. Westermann
Glover, Angela, Framing Sacred Space: The Early Modern Choir Stall. Toronto, M. Kavaler
Groentjes, Mirjam, Visual Typology and the Culture of Biblical Reading in the Low Countries, 1550–1600. Emory, W. Melion
Hammerschmidt, Jennifer, Towards a New Medieval Subjectivity: Rogier van der Weyden and the Art of the Carthusians. UC Santa Barbara, M. Meadow
Harper, Katherine, New Light on Hendrick Goudt: Artist and Nobleman. Boston, M. Zell
Helfenstein, Eva, Between Banquet Table and Collection: Precious Vessels in the Art and Culture of Fifteenth-Century Eruope. Harvard, H. van der Velden
Herrin, Amanda, Picturing Origins: Visual Exegesis in Northern European Art from Bosch to Brueghel. IFA/NYU, M. Westermann
Hetherington, Anna Ratner, Melancholy Illusions: From Bosch to Titian. Columbia, D. Rosand
Hoffman, Jessica L., Adriaen van Ostade’s Festive Peasants. Maryland, College Park, A. Wheelock
Horacek, Ivana, “The Prague Court of Rudolf II: The Gift, Ritual, and Cultural Exchange in Central Europe” (University of British Columbia, B. Wilson)
Hung, Karen, The Master of the Parallel Folds: Hans Thoman of Memmingen and the Sculptors of Upper Swabia (1500–1550). IFA/NYU, C. Eisler
Ingersoll, Catharine, Hans Wertinger in Context: Art, Politics, and Humanism at the Court of Ludwig X, Duke of Bavaria. UT Austin, J. Chipps Smith
Johnson, Rachel, Suburban Bruegel: Chorography and Rhetoric in Pieter Bruegel’s Series of the Months. UC Santa Barbara, M. Meadow
Kehoe, Marsely, Dutching at Home and Abroad: Dutch Trade and Manufacture of Foreign Materials and Landscapes in the Golden Age, Wisconsin, Madison, A. Andrzejewski
Kornegay, Kevin, Ghent and the World Exhibition of 1913. Duke, H. Van Miegroet
Lamsechi, Guita, Beyond the Frame: Images of Vegetal Nature across the Arts in Northern Renaissance Europe. Toronto, E. M. Kavaler
Langusi, Daniela, Wenzel Cobergher: The Artist as Uomo Universale in Early Baroque Europe. Penn State, C. Houghton
Lentz, Edwin, Imaging Knowledge in the Art of Bruegel and Ortelius. UT Austin, J. Chipps Smith
Lepine-Cercone, Chantelle, Art and Business in Seventeenth-Century Naples: The Collecting and Dealing Practices of Gaspare Roomer. Queen’s, Kingston, S. Schütze, S. Dickey
Libby, Alexandra, Piety and Politics in Rubens’s Triumph of the Eucharist Series. Maryland, Biltmore, A. Wheelock
Martin, Annabeth, The Religious Works of Lorenzo Costa, Painter to the Bentivoglio IFA/NYU, K. Weil-Garris Brandt
Morris, Jennifer, Art, Astrology, and the Apocalypse: Visualizing the Occult in Post-Reformation Germany. Princeton, T. DaCosta Kaufmann
Nelson, Jennifer, Talismans of Art and the Combinatoric Mode in Northern Europe, 1510–1555. Yale, C. Wood
Neumann, Elisabeth, Imagining European Community: Allegories of the Continents in the Netherlands, 1520–1600. Toronto, M. Kavaler
Newman, Abigail, Picturing Flanders Abroad: Flemish Painters and Their Audiences in Seventeenth-Century Madrid. Princeton, T. DaCosta Kaufmann
O’Leary, Heather, ‘Viva Bacco e Viva Amore’: Bacchic Imagery in the Renaissance. Columbia, D. Rosand
Onafuwa, Obayemi, Bruegel’s Vernacular Bodies. Columbia, D. Freedberg, K. Moxey
Packer, Michelle, ‘Aenschouwer, siet hoe alle dingh verkeeret!’: Envisioning Change in the Seventeenth-Century Dutch Cityscape. UC Santa Barbara, A. Adams
Packer, Lelia, Mimetic Media: Imitation and Illusionism in the Graphic Art of the Netherlands, 1580–1620. IFA/NYU, M. Westermann
Petcu, Elizabeth, Orders of Elaboration: Wendel Dietterlin and the Architectura. Princeton, T. DaCosta Kaufmann
Prottas, Nathaniel, Creative Copies: Survival and Revival in German and Netherlandish Art at the Turn of the Sixteenth Century. Pennsylvania, L. Silver
van Putten, Jasper, A Cosmography of Exchange: Sebastian Münster’s Cosmographia and the Emergence of the Artist-Chorographer. Harvard, J. Koerner
Reed Frederick, Amy, Rembrandt’s Etched Sketches and Seventeenth-Century Print Culture. Case Western Reserve, C. Scallen
Remond, Jaya, The Kunstbüchlein: Transmitting Artistic Know-How in Renaissance Germany. Harvard, J. Koerner
Repetto, Brian, Impressing the Patriot: Visual Culture and Revolution in the Eighteenth-Century Netherlands. Brown, J. Muller
Rife, Ellen O’Neil, The Exotic Gift and the Art of the Seventeenth-Century Dutch Republic. Kansas, L. Stone-Ferrier
Rochmes, Sophia, Color's Absence: Medium and Materiality in Burgundian Grisaille Manuscripts. UC Santa Barbara, M. Meadow
Roman, Dulce, Rubens and the Emergence of High Baroque Style in Spanish Painting. Columbia, D. Freedberg
Ryu, Sara, Made by Human Hands: Sculpture and Techniques of Reproduction in the Early Modern Transatlantic World. Yale, C. Wood
Schmid, Vanessa, Portraiture and Community in Amsterdam, 1650–1672. IFA/NYU, E-H. Begemann, M. Westermann
Shamos, Geoffrey, Fleshed Out: Serial Personification in Netherlandish Engraving, 1548–1600. Pennsylvania, L. Silver
Smith, Hilary Coe, The Role of the Auction Catalogue in the Growth of the Parisian Art Market, 1675-1789. Duke, H. Van Miegroet
Stielau, Allison, Metalwork and the Reformation, ca. 1480–1532. Yale, C. Wood
Tokumitsu, Miya, The Sculpture of Leonhard Kern (1588–1662). Pennsylvania, L. Silver
Uchacz, Tianna, Dialogue and Dialect in Netherlandish History Painting, ca. 1540–1580. Toronto, M. Kavaler
Warren, Maureen, Politics, Punishment, and Prestige: Images of the States Party (Staatsgezinden) in the Dutch Republic, 1619–1672. Northwestern, C. Swan
Yeager-Crasselt, Lara, Michael Sweerts and the Making of the Artist: Academic Ambitions between Brussels and Rome in the Seventeenth Century. Maryland, College Park, A. Wheelock
Zillman, Molly, Magdalene van de Passe, Geertruydt Roghman, and the Example of Seventeenth-Century Netherlandish Female Printmakers. Delaware, P. Chapman
Finland
Tuominen, Minna, The Still Lifes of Edwaert Collier (1642-1708. University of Helsinki
United States and Canada
Completed
Baines, Lorena, Nicolaes de Bruyn and the Art of the Professional Engraver. Delaware, P. Chapman
Bass, Marisa, The Venus of Zeeland: Jan Gossart and the Netherlandish Revival of Antiquity. Harvard, H. van der Velden
Brekka, Pamela Merrill, The Antwerp Polyglot Bible (1572): Visual Corpus, New World ‘Hebrew-Indian’ Map, and the Religious Crosscurrents of Imperial Spain. Florida, E. Ross
Coutré, Jacquelyn, Jan Lievens: Painting, Politics, and Decoration in Dutch Art, 1653–1669, IFA/NYU, M. Westermann
Mayhew, Robert A., Law, Commerce, and the Rise of New Imagery in Antwerp, 1500–1600. Duke, H. Van Miegroet
McIntosh, Laurentia A., Maria van Oosterwyck Separating Fact From Fiction. Wisconsin, Madison, J. Hutchison
Narath, Albert, The Baroque Effect: Architecture, Art History, and Politics in Austria and Germany. Columbia, B. Bergdoll
Sohn, Sooyun, Fully Integrated Household Objects: Jan Luyken’s Het Leerzaam Huisraad (1711). Wisconsin, Madison, J. Hutchison
Stone, Linda, Terrible Crimes and Wicked Pleasures: Witches in the Art of the Sixteenth and Seventeenth Centuries. Toronto, M. Kavaler
Treanor, Virginia, Amalia van Solms and the Formation of the Stadhouder’s Art Collection, 1625–1675. Maryland, College Park, A. Wheelock
Turel, Noa, Life to Likeness: Painting and Spectacle au vif in the Burgundian State. UC Santa Barbara, M. Meadow
Veith, Jessica, Memorializing the Past: Jan de Bray and the Construction of Identity in Seventeenth-Century Haarlem. IFA/NYU, M. Westermann
Israel
Straus, Ruth, The Repetitions in Jan Steen’s Work. Tel-Aviv University, Prof. Yona Pinson
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