B Belgium Au

Dissertations

United States and Canada

In Progress 2011

Allan, Eva, The Triumph Theme and Its Variations in Long Renaissance Prints. Yale, C. Wood, A. Dunlop

Anderson, Carrie, Johan Maurits’s Brazilian Collection: The Role of Ethnographic Gifts in Colonial Discourse, Boston. M. Zell

Baadj, Nadia, ‘Monstrous Creatures and Diverse Strange Things’: The Curious Art of Jan van Kessel I (1626–1679). Michigan, C. Brusati

Baker, Katherine, Painting and the Luxury Arts in Paris, 1490–1515: Objects and Their Urban Contexts. Virginia, L. Goedde

Beranek, Saskia, Portrait of a Patron: Image and Identity of Amalia van Solms in Dutch Art and Architecture. Pittsburgh, A. Sutherland Harris

Bissett, Tara, Architecture in Print: The Imagery of Triumph in France (1490–1550. Toronto, M. Kavaler

Boychuk, Joan, Print Culture at the Court of Emperor Rudolf II: Portraiture, Inscription and Translation. University of British Columbia, B. Wilson

Bracken, William, Rembrandt in the 1630s: Dialogues and Competitive Environment. IFA/NYU, E. J. Sluijter, M. Westermann

Brisman, Shira, Briefkultur: Art and the Epistolary Mode of Address in the Age of Albrecht Dürer. Yale, C. Wood

Brown, Sara, Images of Devotion: The Calvinist Church Interior Paintings of Emanuel de Witte. Delaware, P. Chapman

Buis, Alena, “Like So Many Objects of Colonialism, It Had Traveled Far From Home”: Women and Domestic Interiors in the Dutch Trade Empire. Queen’s, Kingston, J. Helland, S. Dickey

Byron, David, The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621. Yale, C. Wood

Carlson, Alisa, Social History, Subjectivity, and Self-Fashioning in Hans Holbein the Elder’s Portrait Drawings. UT Austin, J. Chipps Smith

Churchill, Derek, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)

Cowen, Dana, Albrecht Dürer’s Journey to the Netherlands, 1520–1521: A Reconsideration of Past Scholarship and the Importance of Antwerp to the Artist’s Late Work. Case Western Reserve, C. Scallen

Daiman, Marina, Copying, Inventing, and Recycling in Rubens. IFA/NYU, M. Westermann

Downey, Erin, The Bentvueghels: Networking and Agency in the Seicento Art Market. Temple, T. Cooper

Dujakovic, Maya, On Books and Death: The Danse Macabre Printed Books in the Fifteenth Century. University of British Columbia, C. Knicely

Evans, Allison, Het Tapissierspand: Interpreting the Success of the Antwerp Tapestry Market in the 1500s. Duke, H. Van Miegroet

Fowler, Caroline, The Body and the Copy: Confession, Practice, and Ways of
Drawing in the Seventeenth Century. Princeton, C. Heuer

Friend, David, Intimate Transcendence: Place and Perspective in Religious Architecture. Graduate Theological Union, M. Mochizuki

Giannino, Denise, Familial Identity and Site Specificity: A Study of the Hybrid Genre of Dutch Family Landscape Portraiture. Kansas, L. Stone-Ferrier

Giviskos, Christine, Abraham Bosse and the Fine Art of Printmaking. IFA/NYU, M. Westermann

Glover, Angela, Framing Sacred Space: The Early Modern Choir Stall. Toronto, M. Kavaler

Groentjes, Mirjam, Visual Typology and the Culture of Biblical Reading in the Low Countries, 1550–1600. Emory, W. Melion

Hammerschmidt, Jennifer, Towards a New Medieval Subjectivity: Rogier van der Weyden and the Art of the Carthusians. UC Santa Barbara, M. Meadow

Harper, Katherine, New Light on Hendrick Goudt: Artist and Nobleman. Boston, M. Zell

Helfenstein, Eva, Between Banquet Table and Collection: Precious Vessels in the Art and Culture of Fifteenth-Century Eruope. Harvard, H. van der Velden

Herrin, Amanda, Picturing Origins: Visual Exegesis in Northern European Art from Bosch to Brueghel. IFA/NYU, M. Westermann

Hetherington, Anna Ratner, Melancholy Illusions: From Bosch to Titian. Columbia, D. Rosand

Hoffman, Jessica L., Adriaen van Ostade’s Festive Peasants. Maryland, College Park, A. Wheelock

Horacek, Ivana, “The Prague Court of Rudolf II: The Gift, Ritual, and Cultural Exchange in Central Europe” (University of British Columbia, B. Wilson)

Hung, Karen, The Master of the Parallel Folds: Hans Thoman of Memmingen and the Sculptors of Upper Swabia (1500–1550). IFA/NYU, C. Eisler

Ingersoll, Catharine, Hans Wertinger in Context: Art, Politics, and Humanism at the Court of Ludwig X, Duke of Bavaria. UT Austin, J. Chipps Smith

Johnson, Rachel, Suburban Bruegel: Chorography and Rhetoric in Pieter Bruegel’s Series of the Months. UC Santa Barbara, M. Meadow

Kehoe, Marsely, Dutching at Home and Abroad: Dutch Trade and Manufacture of Foreign Materials and Landscapes in the Golden Age, Wisconsin, Madison, A. Andrzejewski

Kornegay, Kevin, Ghent and the World Exhibition of 1913. Duke, H. Van Miegroet

Lamsechi, Guita, Beyond the Frame: Images of Vegetal Nature across the Arts in Northern Renaissance Europe. Toronto, E. M. Kavaler

Langusi, Daniela, Wenzel Cobergher: The Artist as Uomo Universale in Early Baroque Europe. Penn State, C. Houghton

Lentz, Edwin, Imaging Knowledge in the Art of Bruegel and Ortelius. UT Austin, J. Chipps Smith

Lepine-Cercone, Chantelle, Art and Business in Seventeenth-Century Naples: The Collecting and Dealing Practices of Gaspare Roomer. Queen’s, Kingston, S. Schütze, S. Dickey

Libby, Alexandra, Piety and Politics in Rubens’s Triumph of the Eucharist Series. Maryland, Biltmore, A. Wheelock

Martin, Annabeth, The Religious Works of Lorenzo Costa, Painter to the Bentivoglio IFA/NYU, K. Weil-Garris Brandt

Morris, Jennifer, Art, Astrology, and the Apocalypse: Visualizing the Occult in Post-Reformation Germany. Princeton, T. DaCosta Kaufmann

Nelson, Jennifer, Talismans of Art and the Combinatoric Mode in Northern Europe, 1510–1555. Yale, C. Wood

Neumann, Elisabeth, Imagining European Community: Allegories of the Continents in the Netherlands, 1520–1600. Toronto, M. Kavaler

Newman, Abigail, Picturing Flanders Abroad: Flemish Painters and Their Audiences in Seventeenth-Century Madrid. Princeton, T. DaCosta Kaufmann

O’Leary, Heather, ‘Viva Bacco e Viva Amore’: Bacchic Imagery in the Renaissance. Columbia, D. Rosand

Onafuwa, Obayemi, Bruegel’s Vernacular Bodies. Columbia, D. Freedberg, K. Moxey

Packer, Michelle, ‘Aenschouwer, siet hoe alle dingh verkeeret!’: Envisioning Change in the Seventeenth-Century Dutch Cityscape. UC Santa Barbara, A. Adams

Packer, Lelia, Mimetic Media: Imitation and Illusionism in the Graphic Art of the Netherlands, 1580–1620. IFA/NYU, M. Westermann

Petcu, Elizabeth, Orders of Elaboration: Wendel Dietterlin and the Architectura. Princeton, T. DaCosta Kaufmann

Prottas, Nathaniel, Creative Copies: Survival and Revival in German and Netherlandish Art at the Turn of the Sixteenth Century. Pennsylvania, L. Silver

van Putten, Jasper, A Cosmography of Exchange: Sebastian Münster’s Cosmographia and the Emergence of the Artist-Chorographer. Harvard, J. Koerner

Reed Frederick, Amy, Rembrandt’s Etched Sketches and Seventeenth-Century Print Culture. Case Western Reserve, C. Scallen

Remond, Jaya, The Kunstbüchlein: Transmitting Artistic Know-How in Renaissance Germany. Harvard, J. Koerner

Repetto, Brian, Impressing the Patriot: Visual Culture and Revolution in the Eighteenth-Century Netherlands. Brown, J. Muller

Rife, Ellen O’Neil, The Exotic Gift and the Art of the Seventeenth-Century Dutch Republic. Kansas, L. Stone-Ferrier

Rochmes, Sophia, Color's Absence: Medium and Materiality in Burgundian Grisaille Manuscripts. UC Santa Barbara, M. Meadow

Roman, Dulce, Rubens and the Emergence of High Baroque Style in Spanish Painting. Columbia, D. Freedberg

Ryu, Sara, Made by Human Hands: Sculpture and Techniques of Reproduction in the Early Modern Transatlantic World. Yale, C. Wood

Schmid, Vanessa, Portraiture and Community in Amsterdam, 1650–1672. IFA/NYU, E-H. Begemann, M. Westermann

Shamos, Geoffrey, Fleshed Out: Serial Personification in Netherlandish Engraving, 1548–1600. Pennsylvania, L. Silver

Smith, Hilary Coe, The Role of the Auction Catalogue in the Growth of the Parisian Art Market, 1675-1789. Duke, H. Van Miegroet

Stielau, Allison, Metalwork and the Reformation, ca. 1480–1532. Yale, C. Wood

Tokumitsu, Miya, The Sculpture of Leonhard Kern (1588–1662). Pennsylvania, L. Silver

Uchacz, Tianna, Dialogue and Dialect in Netherlandish History Painting, ca. 1540–1580. Toronto, M. Kavaler

Warren, Maureen, Politics, Punishment, and Prestige: Images of the States Party (Staatsgezinden) in the Dutch Republic, 1619–1672. Northwestern, C. Swan

Yeager-Crasselt, Lara, Michael Sweerts and the Making of the Artist: Academic Ambitions between Brussels and Rome in the Seventeenth Century. Maryland, College Park, A. Wheelock

Zillman, Molly, Magdalene van de Passe, Geertruydt Roghman, and the Example of Seventeenth-Century Netherlandish Female Printmakers. Delaware, P. Chapman

Finland

Tuominen, Minna, The Still Lifes of Edwaert Collier (1642-1708. University of Helsinki


United States and Canada

Completed

Baines, Lorena, Nicolaes de Bruyn and the Art of the Professional Engraver. Delaware, P. Chapman

Bass, Marisa, The Venus of Zeeland: Jan Gossart and the Netherlandish Revival of Antiquity. Harvard, H. van der Velden

Brekka, Pamela Merrill, The Antwerp Polyglot Bible (1572): Visual Corpus, New World ‘Hebrew-Indian’ Map, and the Religious Crosscurrents of Imperial Spain. Florida, E. Ross

Coutré, Jacquelyn, Jan Lievens: Painting, Politics, and Decoration in Dutch Art, 1653–1669, IFA/NYU, M. Westermann

Mayhew, Robert A., Law, Commerce, and the Rise of New Imagery in Antwerp, 1500–1600. Duke, H. Van Miegroet

McIntosh, Laurentia A., Maria van Oosterwyck Separating Fact From Fiction. Wisconsin, Madison, J. Hutchison

Narath, Albert, The Baroque Effect: Architecture, Art History, and Politics in Austria and Germany. Columbia, B. Bergdoll

Sohn, Sooyun, Fully Integrated Household Objects: Jan Luyken’s Het Leerzaam Huisraad (1711). Wisconsin, Madison, J. Hutchison

Stone, Linda, Terrible Crimes and Wicked Pleasures: Witches in the Art of the Sixteenth and Seventeenth Centuries. Toronto, M. Kavaler

Treanor, Virginia, Amalia van Solms and the Formation of the Stadhouder’s Art Collection, 1625–1675. Maryland, College Park, A. Wheelock

Turel, Noa, Life to Likeness: Painting and Spectacle au vif in the Burgundian State. UC Santa Barbara, M. Meadow

Veith, Jessica, Memorializing the Past: Jan de Bray and the Construction of Identity in Seventeenth-Century Haarlem. IFA/NYU, M. Westermann

Israel

Straus, Ruth, The Repetitions in Jan Steen’s Work. Tel-Aviv University, Prof. Yona Pinson

 

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